F. Scott Fitzgerald in Hollywood :: Biography Biographies Essays

F. Scott Fitzgerald in Hollywood I saw the novel...was turning out to be subjected to a mechanical...art...I suspected that the talkies would make even the top of the line author as bygone as quiet pictures. (Mizener 165) F. Scott Fitzgerald was definitely mindful of the move in the open's enthusiasm from books to motion pictures. This change made Hollywood independent for Fitzgerald as the sole methods for communicating his ability and for increasing fitting acknowledgment, just as the better approach to bring in cash. For F. Scott Fitzgerald, the blend of VIP and money related advantages made Hollywood a charming scene. In 1927 Fitzgerald got his first opportunity to go to Hollywood. The monetarily stressed Fitzgeralds moved out to California when Scott acknowledged a proposal from John Considine of United Artists. While in Hollywood, Zelda and Scott fell into a vivacious social scene. It was during this time Scott met the entertainer Lois Moran. The shared fascination roused Scott to take a screen test so he could star in a film with her. While Scott never got the opportunity to act with Lois, he used her to make the character of Rosemary in Tender Is the Night - in any event, including the screen test course of action! Social commitment aside, Fitzgerald buckled down on his content for United Artists. Titled Lipstick, the film was to be structured explicitly for Constance Talmadge, a notable on-screen character of the time. The content was at last dismissed, be that as it may, and the Fitzgeralds left California. A long time later, Fitzgerald remarked on this time in Hollywood, Around then, I had been commonly recognized for quite a long while as the top American essayist both truly and, to the extent costs went, prominently. I...was comrade to the point of vanity. Hollywood made a major get worked up about us and the women all looked exceptionally delightful to a man of thirty. I sincerely accepted that with no exertion on my part I was a kind of performer with words...Total result - an extraordinary time and no work. I was to be paid just a modest quantity except if they made my image - they didn't. (Mizener 205) Fitzgerald had authoritatively started his difficult relationship with Hollywood, which for a mind-blowing rest would at the same time speak to perpetual guarantee and constant dissatisfaction. The second time Fitzgerald went to Hollywood was in 1931, under the greeting of Metro-Goldwyn-Mayer who needed Scott to do an adjustment of Red-Headed Woman, a book by Katherine Brush.